After graduating from the Guildhall School of Music and Drama Christopher Allan joined the acclaimed contemporary group, ”the gogmagogs”.
He plays regularly with the Britten Sinfonia and is co-principal cello with the Orchestra of the Swan.
Christopher is an active chamber musician, performing with the Le Page Ensemble, London Cellophonic, the Fibonacci sequence and Sound Collective amongst others.
He was solo cellist with the Mike Westbrooke company and has collaborated with numerous creators, including John Tavener, Max Richter, Django Bates, Stephen Warbeck, Errollyn Wallen and Paul Clark.
His interest in contemporary and cross arts work has lead to associations with an array of different projects and artists, from Gare St Lazare’s “Here All Night” (an exploration of music in the work of Samuel Beckett, ”White Light Festival“ Lincoln Centre, Boston, London, Dublin), to the Clod Ensemble, Hofesh Shechter (most recently in Paris, June ’21), Chroma (Fair Isle, September ’21, “Towards Light” project), Opera North, Goldfrapp, Mumford and Sons, Opus 20, Cellorhythmics, Sabreen, Sachal Studios, Quincy Jones and Guy Barker.
Christopher has curated many concerts, often in collaboration with actors (recent projects have included “Wind, Sand and Stars”, based on the writing of Antoine de Saint-Exupéry), and has arranged for Hofesh Shechter, Mumford and Sons and the Almeida Theatre.
He has also played for many theatre productions (RSC, the National Theatre and the Globe), and has made a number of recordings, including Hans Gal’s Sinfonia Concertante with Kenneth Woods (solo cello), Philip Glass’s „In The Penal Colony“ with Music Theatre Wales, and Bach’s “Goldberg Variations” with the Le Page Ensemble.
Christopher plays a William Forster cello built in London in 1800.